barrow
The idea for this painting originated, as all things of interest do, from a quick sketch drawn on a napkin in a bar. This early work lays the groundwork for the artist's signature process. It marks one of the first instances of scraping off of layers, which would become integral to her artistic approach. The image of the barrow, which first appeared in grad school paintings, makes its final appearance here.
oil on wood panel
36 x 38.5 inches
2004
(frame not included)
The idea for this painting originated, as all things of interest do, from a quick sketch drawn on a napkin in a bar. This early work lays the groundwork for the artist's signature process. It marks one of the first instances of scraping off of layers, which would become integral to her artistic approach. The image of the barrow, which first appeared in grad school paintings, makes its final appearance here.
oil on wood panel
36 x 38.5 inches
2004
(frame not included)
The idea for this painting originated, as all things of interest do, from a quick sketch drawn on a napkin in a bar. This early work lays the groundwork for the artist's signature process. It marks one of the first instances of scraping off of layers, which would become integral to her artistic approach. The image of the barrow, which first appeared in grad school paintings, makes its final appearance here.
oil on wood panel
36 x 38.5 inches
2004
(frame not included)
